Pocket Cinema Camera 6K EF

Blackmagic Pocket Cinema Camera 6k offers a super 35, 13-stop dynamic stop sensor, and double native ISO up to 25600 to get sensational HDR images in low light conditions. Thanks to the controls on the outside of the room, quickly access the main functions, and with the large 5-inch touch screen framing, focusing and room settings are at hand. Includes internal capture recorders in Blackmagic Raw or ProRes on SD / UHS II and CFast 2.0 cards, and a USB C expansion port to record on external disks. It also offers an attack for EF lenses, internal microphones, an XLR input, a standard HDMI connection, support for Lut 3D, Bluetooth® and much more!

Features

Actual sensor size: Super 35 (23.10 mm x 12.99 mm)
Objective attack: active EF
Objective control: diaphragm, focus and zoom with compatible goals
Dynamic range: 13 stop
Double native ISO: 400 and 3200
Resolution resolutions:
6144 x 3456 (6k) up to 50 fps
6144 x 2560 (6k 2.4: 1) up to 60 fps
5744 x 3024 (5.7k 17: 9) up to 60 fps
4096 x 2160 (4k dci) up to 60 fps
3840 x 2160 (Ultra HD) up to 60 fps
3728 x 3104 (3.7k 6: 5 Anamorphic) up to 60 fps
2868 x 1512 (2.8k 17: 9) up to 120 fps
1920 x 1080 (HD) up to 120 fps
Frame Rate:
The maximum sensor frame rate varies according to the selected resolution and codecs. Frame compatible project rate: 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps. Frame installs off-speed up to 60 fps in 6k 2.4: 1, 120 fps in 2.8K 17: 9 and 1080HD
Focus:
Autofocus available for compatible objectives
Aperture:
Physical wheel and slider on a touch screen for manual adjustment for electronic control objectives; Instant self-regulation button for compatible objectives
Display size: 5 "(1920 x 1080)
Display type: LCD Capacitive Touch

Storage frequencies

6144 x 3456 (6k)

Blackmagic Raw 3: 1 - 323 MB / s
Blackmagic RAW 5: 1 - 194 MB / s
Blackmagic RAW 8: 1 - 121 MB / s
Blackmagic RAW 12: 1 - 81 MB / s
Blackmagic Raw Q0 - from 194 to 483 MB / s *
Blackmagic Raw Q5 - from 49 to 139 MB / s **

6144 x 2560 (6k 2.4: 1)

Blackmagic Raw 3: 1 - 240 MB / s
Blackmagic RAW 5: 1 - 144 MB / s
Blackmagic RAW 8: 1 - 90 MB / s
Blackmagic RAW 12: 1 - 60 MB / s
Blackmagic Raw Q0 - from 144 to 359 MB / s *
Blackmagic Raw Q5 - from 37 to 103 MB / s **

5744 x 3024 (5.7k 17: 9)

Blackmagic Raw 3: 1 - 264 MB / s
Blackmagic RAW 5: 1 - 159 MB / s
Blackmagic RAW 8: 1 - 100 MB / s
Blackmagic RAW 12: 1 - 67 MB / s
Blackmagic Raw Q0 - from 159 to 395 MB / s *
Blackmagic Raw Q5 - from 40 to 114 MB / s **

4096 x 2160 (4k dci)

ProRes 422 HQ - 117.88 MB / s,
Apple Prores 422 - 78.64 MB / s,
Apple Prores 422 lt - 54.63 MB / s,
Apple ProRes Proxy - 24.25 MB / s

3840 x 2160 (Ultra HD)

ProRes 422 HQ - 110 MB / s,
Apple Prores 422 - 73.6 MB / s,
Apple ProRes 422 lt - 51 MB / s,
Apple ProRes Proxy - 22.4 MB / s

3728 x 3104 (3.7k 6: 5 Anamorphic)

Blackmagic Raw 3: 1 - 176 MB / s
Blackmagic RAW 5: 1 - 106 MB / s
Blackmagic RAW 8: 1 - 67 MB / s
Blackmagic RAW 12: 1 - 45 MB / s
Blackmagic Raw Q0 - from 106 to 265 MB / s *
Blackmagic Raw Q5 - from 27 to 76 MB / s **

2868 x 1512 (2.8k 17: 9)

Blackmagic Raw 3: 1 - 67 MB / s
Blackmagic RAW 5: 1 - 41 MB / s
Blackmagic RAW 8: 1 - 26 MB / s
Blackmagic RAW 12: 1 - 17 MB / s
Blackmagic Raw Q0 - from 41 to 101 MB / s *
Blackmagic Raw Q5 - from 11 to 29 MB / s **

1920 x 1080

ProRes 422 HQ - 27.5 MB / s,
Apple Prores 422 - 18.4 MB / s,
Apple ProRes 422 lt - 12.75 MB / s,
Apple ProRes Proxy - 5.6 MB / s

Registration formats

Blackmagic Raw 3: 1, 5: 1, 8: 1, 12: 1, Q0 and Q5 to 6144 x 3456, 6144 x 2560, 5744 x 3024, 3728 x 3104 and 2868 x 1512 with dynamic range Film, Extended Video or Video, or with customized Lut 3D integrated in metadata.
PRESCRES 4096 x 2160, 3840 x 2160 and 1920 x 1080 with dynamic movie range, extended video, or video or customized Lut 3D

Storage frequencies are based on 30 fps

*

Storage frequencies with the Q0 constant quality option are indicative, based on a 2: 1 to 5: 1 compression interval.

**

Storage frequencies with the Q5 constant quality option are indicative, based on a 7: 1 to 20: 1 compression interval.

Actual storage frequencies depend entirely from the complexity of the image